The Comics Studies Conference at NYCC is sponsoring a panel "The Auteur Theory of Comics." Pop culture historian Arlen Schumer and Kirby Museum director Randolph Hoppe will be joined by John Morrow of TwoMorrows Publishing, J. David Spurlock of Vanguard Productions, scholar Michael Bonesteel (The School of the Art Institute of Chicago) and possibly others on Saturday October 15th, 12 noon, in room 1B03 of the Jacob Javits Center to discuss the role of the auteur in comics.
In her recent decision in favor of Disney/Marvel vs. Jack Kirby's family, Judge Colleen McMahon stated that its basis was strictly a legal one; her introduction mentioned that fairness had nothing to do with it, it was all about the business arrangement between Martin Goodman and Jack Kirby. Putting legalities and business agreements aside, then, it's fair to look more closely at the creative work that Jack Kirby, or any comic book cartoonist, has produced using the auteur theory as a guide. What skills are brought to bear in producing a comic story? Who controls the presentation of a piece of visual storytelling?The panel will start with a presentation then move into discussion among the panelists guided by CSC's Peter Coogan.
The Judge based her decision
The Judge based her decision on the testimony of Stan Lee first and foremost. She said so herself.
"Marvel's side of the story is told by the most percipient of witnesses Stan Lee...Marvel's motion stands or falls on his testimony."
The key here is Lee's contention that he alone created every plot and character before ever speaking to Kirby.
The idea that Kirby only paced Lee's stories is fully in line with how Lee describes the process.
Toberoff never tried to argue Kirby was due some co-creator status based on the theory Kirby only paced, and set decorated Lee's stories. If Kirby's contribution was all based on Lee's seminal ideas then very obviously Kirby's work was "work for hire" because he did nothing until after the core concepts were created by Lee, and it was the creation of the basic ideas which was the basis of the case. The key point is was it Kirby pitching ideas to Lee, a riff on the Challengers, a revamped Fly, or was Lee coming up with those basic ideas and feeding them to Kirby. Lee was the only witness, and claimed he created every idea and plot by himself, the judge saw nothing which could contradict his testimony, case closed.
The idea an artist deserves co-creator status for what he brings to the table in the form of the pictures he draws, and a feeling the current copyright law is unfair are deserving of attention, but have little to do with the Lee/Kirby situation where Kirby adamantly maintained he brought core ideas to Lee, and they were then purchased.
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